Ever since Bono observed Troy’s decision to take Rose’s hand in marriage, Bono admired his sensibility and wisdom. Death,” therefore, resembles the fence, since its invention helps Troy fence-off the harsher reality that’s largely cheated him in life. Troy’s best friend, Bono is the follower in their relationship, evidenced by his admission to Troy when confronting him about his affair with Alberta. This personification provides a reason for the suffering of Troy’s past beyond its basis in racism, and the severe poverty into which it landed him it gives a higher purpose to what, in reality, boils down to a corrupt society and a childhood made difficult by abusive and unloving parents. Death, for Troy, is therefore a force that personally tries to antagonize and destroy him. Further, by rendering death or the forces of destruction into a person (the grim reaper and the devil), Troy gives the unpredictability and mystery of death a concrete form, and thereby attributes a kind of reason and discernible motive to the process of death. Having beaten all the obstacles thrown at him in his early years and survived, Troy props up his sense of self-worth and accomplishment through personifying death into a tangible form he’s proactively and successfully fended off. Troy’s typically stubborn sense of manhood and strength largely derives from his relationship with death. Death appears as a personified figure in Troy’s fanciful tales about wrestling with death and buying furniture from the devil.
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